Bathe Me In Luxury: Luxe Master Bathrooms

Today's luxury master suites are being designed and built to be a source of luxury and relaxation. Potential home buyers make luxury a priority when shopping in today’s market. These superbly designed spaces provide a sanctuary for relaxation and rejuvenation as well as a perfect setting to begin and end each day. Gone are the days of the utilitarian master bath. Now the spa like environments being created by architects and designers are what consumers want and need!

Luxury Master Baths are added value for builders and developers and serve as major selling points for home developments at all price points. Bathrooms and kitchens add more to a home's value than any other rooms—with luxurious Master baths rating highest on home buyer wish listsThe Spa-like environment of these large bathrooms, focus on the shower experience often called “vertical spas” These highly customized spaces within the Master bath , incorporate multiple showerheads, water diverters and sophisticated temperature control systems, as well as wall mounted body sprays Such as Kohler’s New water round adjustable, multi directional body spray. The recessed installation method of this element provides a sleek and refined look. Larger shower spaces are being created by designers and architects often with frameless doors or no doors at all. Glass partitions allow more openness deflecting water from the shower. Oversized showerheads and the double two person shower is a trend in luxury Masters. For a total pampering experience, look to the relaxation and luxury of a spa,.. The soaking tub and air bath are the next big trend in luxury baths. Above floor soaking tubs such as

Jason’s Carrera™ Line provides a dramatic and functional look and many others are available in under mounted styles. The air bath provides a whirlpool experience with recalculating water jets that gently sooth and massage.
Another spa like feature being integrated into residential use is steam units to their showers, or installing a ready-made, self-contained steam unit that fits into the bathroom much the way a pre-fabricated shower stall would. By installing a steam unit into an existing custom shower stall, a homeowner can create a shower and a luxurious spa-like steam room in a single package that fulfills either function. Separation of private grooming space is essential in luxury bath design as well as multiple sinks. Today's well-done master suite bath has dramatic sink and faucet treatments. Above counter mounted sinks provide drama and functionality while adding to the look and feel of luxury- one particular example is Kohler’s Purist sink in the new “ice” finish.
Above counter mounted sinks provide functionality as well as unique drama adding to the “spa” environment. In wall faucets or tall standing column faucets work best with these dramatic sinks.

Another fixture that contributes to the luxury bath is the toilet – low-flow models are still the rule .In addition to improved operation, newer models also offer easier cleaning. Toto offers the washlet toilet which is an amazing automated system of comfort and hygiene. Men are requesting residential urinals as trends in bathroom layout are moving towards separate “toilet rooms” This separation is very desirable for privacy and luxury and two toilet rooms are essential in the best luxury Master suites. Separation of private grooming space is essential in luxury bath design as well as multiple sinks. Above counter mounted sinks provide functionality as well as unique drama adding to the “spa” environment. In wall faucets or tall standing column faucets work best with these dramatic sinks.

Overall trends towards pampering and self indulgence in today’s consumer drives the market towards more unique design in Master suite Baths. The spa like experience is what is desired by today’s home buyers. Uniqueness in design as well as special features will add value and panache to any project.

Re-Do, Remodel, Re-Evaluate, Design ala Carte Packages

In today’s economic climate smart decisions about spending money on your home or office are essential to making your dollars go farther. Remodeling, re- furnishing and re- arranging what you already have are definite solutions to relocating !

Remodeling your desert home may be a great alternative to freshening up your living space as well as your personal outlook. It also can add dollar value to your home for re-sale and help you enjoy what you have. Instead of selling and re-locating, many homeowners today are looking to remodel as a solution to upgrading their surroundings. Selecting a great team of designer, architect, and contractor are essential to making this process run smoothly.

Refurnishing and redesigning existing rooms is also a more immediate and less costly solution to a complete remodel. With the holidays upon us there may be some easy fixes to existing problems and issues you have. Reupholstering existing furnishings is a great place to start upgrading and changing your living space.

Rearranging your space with the help of William Miller Design can also do wonders to make your space flow more functionally and create interest in your room. Working with major pieces that you already have and placing them in a different way is where an interior designer can help. Adding to existing furnishings or editing pieces that are tired or not necessary can also be done by bringing in the fresh eyes of a designer.

Accessories – the key to freshen up any interior and the least expensive way to bring new life to old tired spaces. Simply replacing art and accessories in rooms can change the look and style of a room without major changes or expense. In selecting accessories, decide on a basic theme and build from there. Let the style and type be dictated by what you like. Remember not to clutter the space but choose wisely, using a few important pieces will go much further than many smaller items.

Tuesday, December 16, 2008

Christmas Tree's Roots

While there are no hard facts about the origins of the Christmas tree, there is little question the Germans originated and popularized it.

The earliest written record of a decorated evergreen tree for Christmas appears in 1521 in the German region of Alsace. In 1561, the same region had a forest ordinance saying that no one "shall have for Christmas more than one bush of more than eight shoes' length." The German families would set up Christmas trees in a prominent location in their home and decorate them. As these people moved or immigrated to other countries, they brought this tradition with them. By the 1700s, the Christbaum, or "Christ tree," was a German tradition. It quickly spread to other parts of Europe and finally to America.

America adapted slowly to some of the Christmas traditions, because of the Puritan influence. Many puritans felt that Christmas was too sacred of a holiday and should not be marred with Christmas trees and Christmas carols. When the Christmas tree later regained popularity, symbolism was common. The Christmas tree is a symbol of a living Christmas spirit. Because balsam fir twigs, more than any other evergreen twigs, resemble crosses may have had much to do with the early popularity of balsam fir used as Christmas trees.

In 1851, the Christmas tree market began when farmer Mark Carr hauled two ox sleds of evergreens into New York City and sold them all. In 1856, Massachusetts was the last existing state to declare Christmas a legal holiday. Since then, it has exploded into a tradition-rich, festive season. By 1900, one in five American families had a Christmas tree. By 1920, the custom was nearly universal in the United States.

Today, the Christmas tree is common in all Christian countries except Spain, Italy, and some of Latin America. Instead, these countries share the custom of erecting a miniature reproduction of the stable and manger where Christ was born. Even the Japanese have adopted the Christmas tree, but with this twist: they decorate their tree with tangerines and delicate rice wafers-which enclose fortune-telling slips!

Towards the end of the 1800s, another variation of the traditional Christmas tree appeared: the artificial Christmas tree. It is believed that like so many other Christmas traditions, artificial Christmas trees also originated in Germany. The first artificial Christmas trees were metal wire trees covered with feathers. The most popular feathers came were goose, turkey, ostrich or swan feathers. The feathers were often dyed green to look like pine needles.
In the 1930's, the Addis Brush Company created the first artificial-brush trees, using the same machinery that made their toilet brushes! The Addis 'Silver Pine' tree was patented in 1950. This innovative Christmas tree had a revolving light source under it. Colored gels allowed the light to shine in different shades as it revolved under the tree. This silver aluminum artificial Christmas trees became so popular that it was exported throughout the world!

The story of The National Christmas Tree begins with Franklin Pierce- the first President of the United States to introduce the Christmas Tree to the White House in 1856. However, this was not the start of the tradition now known as the "National Christmas Tree".

In November 1923, First Lady Grace Coolidge gave permission for the District of Columbia Public Schools to erect a Christmas tree on the Ellipse south of the White House. The organizers named the tree the "National Christmas Tree." That Christmas Eve, at 5 p.m., President Calvin Coolidge walked from the White House to the Ellipse and "pushed the button" to light the cut 48-foot Balsam fir, as 3,000 enthusiastic spectators looked on. The tree, donated by Middlebury College, was from the President's native state of Vermont. From 1924 to 1953 live trees, in various locations around and on the White House grounds, were lit on Christmas Eve. In 1954 the ceremony returned to the Ellipse and expanded its focus. Local civic and business groups created the "Christmas Pageant of Peace." Smaller live trees representing the 50 states, five territories, and the District of Columbia, formed a "Pathway of Peace." On December 17, 1954, President Dwight D. Eisenhower lit the cut tree donated by the people of Michigan. The White House used cut trees until 1973.

Center to the season's celebration is the living National Christmas Tree, a Colorado blue spruce from York, Pennsylvania, planted on the Ellipse October 20, 1978. The tree stands as a daily reminder of the holiday spirit and of the tradition each succeeding President has shared in since 1923.

Friday, December 12, 2008

Have An Interior Design Question? Let Us Know!!

In a quandry about colors? What shape should your coffee table be? Not sure about that "tropical bird" wallpaper that your Aunt Edna has offered to use? Email us your design question! Please attach any photos that you may have as well.



Send submissions to: matt@williammillerdesign.com

Thursday, December 11, 2008

How To Be A Great Design Client!

There is always a lot of talk about how to get new clients, how to better serve our clients, and how to make the project go more smoothly from the designer’s point of view. But from the clients point of view, how can CLIENTS be the best that they can be to make the project successful?

When working with an interior designer , architect or builder,

*Be clear and communicative about expectations and desires.

*Do your homework, know what you like and what you don’t like. Be clear about you’re your needs- from wine storage to shelves for your collections of first editions; from dog beds to closet space; from bathroom lighting to a home office.

*Pay attention, take notes, and listen. Be willing to perhaps expand your original plan to make it better, bigger, and more satisfying.

*You’ll be working directly with the designer, who will in turn work directly with a team of specialists, from design assistants to general contractors and architects, tile-layers, painters, and many craftspeople. The designer will also will be ordering fabrics, furniture and working with showrooms, and coordinating every aspect of the project. Mistakes can happen. Custom made items invite the possibility of error; an incorrect measurement or color, a misunderstanding in finish. It is important to have a sense of humor and trust that the designer will make it work out and solve the issues.
*Stick to your guns. Allowing yourself to be talked into something you don’t like—only to decide later you cant live with it, can be disastrous. Avoid in-decision and especially do not change your mind repeatedly. It is unnerving to the designer and it can be a nightmare when plans, paint, plumbing, plaster, or tile work has to be redone.

*An architect or designer is an advisor who does not, ultimately, have the final decision. They do not sign the checks, you do.

*It is a creative process. Stay the course and remain emotionally involved.

*Observe with optimism. Be patient. Creative people are working hard to make you happy. Always assume the best.

*Pay your invoices in a timely manner.

*Be accountable to all your decisions. Don’t rush out and purchase major items, furniture or art without first discussing it with your designer.

*Be cautious and pay attention. Try out fabric samples, paint swatches, and furniture pieces to ensure that you can live with them. Don’t rush major decisions.

*Minimize the element of surprise. Don’t make decisions without considering all aspects of the design.

*If you are not comfortable with the designer’s plans or decisions, make a graceful exit only after considerable thought. Keep the parting amicable and perhaps even open ended if you feel there is no resolution.

*Your taste should not be steamrolled, but it is also your job to be considerate of the designers’ expertise in achieving your goals. The goal is to create a beautiful project for YOU. It is not a challenge to see who “wins” every decision.

*Try not to comment on everything until it is in place. Until the rooms are finished and all the furniture is in place, don’t critique. Look at everything in context. A sense of truly “working together” makes a project go well.

*Today, the design process is a democratic one. The days of designers and architects being the dictator or tyrant with a mean poodle in the back of a Rolls Royce are gone. The designer dictator made for very unhappy clients and sad endings. Design is now a collaborative process.

*Clients feel free to voice their concerns. It can be stressful, but it can also be a rewarding team work effort to produce a livable, well designed space that is a reflection of your needs and wants and the designers’ creative talents and skills.

Tuesday, November 18, 2008

Building Your Built-In

Just about every interior design client and job at William Miller Design requests custom built ins- whether they be for custom closets, specialty kitchen cabinets, or multimedia entertainment centers.

From media center cabinets to Master bedroom display and nightstand cabinets, custom Design is the order of the day. Designing custom built ins is truly a detailed and thoughtful process especially when it comes to built in media or entertainment cabinets. Many things need to be considered, from the needs and requirements of the client, to the aesthetic desired from the outcome of the actual cabinet.

Media centers are the most complex in the design process. The place to start is with determining the components that the client wants to use in the particular media cabinet. Plasma TV or LCD? Stereo receiver and DVD? Will there be surround sound with integrated speakers? Will there be multiple speakers incorporated in the cabinet or will the speakers be in the ceiling ?
Once the requirements of the client are determined, the space available and the orientation of the seating (or sleeping ) In relation to the built-in must be determined and considered for maximum viewing and listening comfort.

Determining exact sizes of all components to be incorporated in the unit is critical. If working with clients existing equipment, it all is carefully measured and placement is calculated based on optimum efficiency and usage. If working with a consultant on the audio/ video components, it is essential to bring them in to the design process of the cabinetry.

Wednesday, October 8, 2008

How Tall Should A Bedside Lamp Be?

At William Miller Design, we are frequently asked:
“What is the proper height for table lamps ?”

The deciding factor in determining the height for your table lamps is really the surrounding architecture,ceiling height and the height of the headboard. A taller headboard will warrant taller lamps so that the scale of the entire arrangement will be pleasing and correct.

Lamps on bedside tables for example can have a scale and size that is proportionate to the height of the ceiling and the headboard or treatment on the bed wall.


If your nightstand is 24” to 30” tall, Lamps should be at least 27” – 32” tall.

Shorter nightstands, such as a low profile modern style that is only 18” TO 20” off the floor, call for a taller lamp to equal the visual proportion if the headboard is higher than 36” above the nightstand top. Ultimately, this will depend on the height of the headboard, and or architecture of the bed wall itself.



Another deciding factor is the particular aesthetic one is trying to achieve. For a retro modern look; lamps are often very over scaled in comparison to the height of the table or surface they are placed on. For a more traditional refined setting, the look of a much smaller lamp in comparison to a larger table, may work best.



A general proportion of 1/3 to 2/3 is the most pleasing and balanced look to the human eye. Studies have shown that this proportion is recognized as interesting, balanced and appealing. In keeping with this “rule” of proportion, many design schools teach the principle of the golden section or the “golden ratio.”
At least since the Renaissance, many artists and architects have proportioned their works to approximate the golden ratio—especially in the form of the golden rectangle, in which the ratio of the longer side to the shorter is the golden ratio—believing this proportion to be aesthetically pleasing. Mathematicians have studied the golden ratio because of its unique and interesting properties.

Applying this practice even in simple accessorizing, selecting accessories and lamps or picture hanging, this “golden ratio” is a formula that will never fail to please the eye.


So when asking questions about proportion, scale and composition, remember, There are certain mathematical formulas that can be followed and applied, but truly the beauty is in the eye of the beholder.

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